Her spike jonze12/27/2023 Jonze, a fabulist whose sense of the absurd informs his more broadly comic endeavors (notably his work on the “Jackass” movies, including “Bad Grandpa”) and the straighter if still kinked art-house films he’s directed, like “Being John Malkovich” and “Adaptation.” If it has taken time for the depth of Mr. Before long, he and the software, which calls itself Samantha, are exchanging pleasantries, playing the roles of strangers fated to become lovers. Theodore learns about the operating system from an advertisement and is soon running it on his home computer and phone. The machines haven’t risen, as they have in dystopian tales like “The Terminator” series, but instead have been folded into everyday life. It’s set, somehow of course, in Los Angeles, that city of plastic fears and dreams, in an unspecified time in the future. The voice organizes his files, gets him out of the house and, unlike some multitasking females, doesn’t complain about juggling her many roles as his assistant, comfort, turn-on, helpmate and savior - which makes her an ideal companion even if she’s also just software.Īt once a brilliant conceptual gag and a deeply sincere romance, “Her” is the unlikely yet completely plausible love story about a man, who sometimes resembles a machine, and an operating system, who very much suggests a living woman. The voice brightly greets him in the morning and, with a sexy huskiness, bids him good night in the evening. For Theodore Twombly (Joaquin Phoenix), the poetically melancholic hero in “Her,” Spike Jonze’s exquisite new movie, that voice (Scarlett Johansson) is a lifeline to the world, which he has loosened his hold on since separating from his wife. Fair warning though: "Her" is a bit unsettling and it will leave people extremely weirded out, but "Her" is downright arresting.She sounds like the girl next door - young, friendly, eager. Without a doubt was "12 Years a Slave" the big winner for best picture, but "Her" comes in at a close 2nd or 3rd for me. Everything from the melancholy tone, to the symbolic imagery, to the captivating and infectious narrative, "Her" was a huge surprise for me. It's a film crafted and paced so superbly, there seems to be no wrong note Jonze plays with this film. To put it in one word, the film as a whole is beautiful. There's no way these emotions would have been portrayed if Jonze didn't utilize the method that he inhabits with this flick. Emotions such as sadness, laughter, the sense of hope, the desire of love, and confusion are exceedingly palpable but not so much in a way that it's thrown in audiences faces - it gracefully settles in, making the movie not so much of a viewing but more of an experience. Without a doubt, "Her" is more of a quiet piece so you won't find much dialogue here ala "Lost in Translation", but Jonze doesn't impose this method in a swaggering way - he portrays it with perfection. His performance is a work of art.īut the biggest achievement that "Her" feats is the phenomenal narrative powered by a supercharged screenplay/directing on behalf of Spike Jonze himself. Now I've never seen Matthew's best acting performance in "Dallas Buyer's Club" to rightfully say whether his performance in that was any better than Phoenix's in "Her", but in no way should Phoenix be thrown in the back burner. I don't care about his past troubles this guy's talented. It works marvelously with its comedic but yet love/heartbreak themes.īut even though the cinematography was vibrant, boy, Joaquin Phoenix plays an absolutely magnetic and nuanced performance. Colors pop with soft textures throughout but tiptoed in with a subtle melancholy tone. Every single shot is a respectful homage to "Lost In Translation" with some "Eternal Sunshine of the Spotless Mind" and with a little Wes Anderson peppered in. Well, after being nearly 1 year late watching this movie, I could say, "Her" would sure as hell won for best cinematography if "Gravity" never fell on our laps. Quite possibly one of the greatest shot films ever crafted. Let's be real: "Gravity" was just unreal. Funnily, "Her" isn't much of a departure in comparison to Jonze's earlier work, but it is, without a doubt, his most captivating. They come off as too weird or too alienating for many ("Being John Malkovich" anyone?). Now as for starters, I am not a big fan of Spike Jonze's pictures. The Lord of the Rings: The Rings of Power: Season 1.The Lord of the Rings: The Rings of Power: Season 1 The BMF Documentary: Blowing Money Fast: Season 1 The Bastard Son & The Devil Himself: Season 1 The Mysterious Benedict Society: Season 2 Guillermo del Toro's Cabinet of Curiosities: Season 1
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